Interviewer: Guy Harries, vocalist/composer/performer/sound-artist,
for his website Live Electronic Sound
3 June 2013
excerpt check link for full interview:
Q: Your performance involves a lot of interactive electronics. Could you describe your set-up?
A: Most of the work … Continue reading
Preproduction notes for
Walkie Talkie Dream Garden by Dafna Naphtali (in collaboration with Richard Rodkin)
Debut release by the duo, Gordon Beeferman (piano) and Dafna Naphtali (voice, electronics), out on Clang label (Denmark). Settings and improvisations for piano and voice with kinetic sound processing, fractal rhythms, and generating polyphonic / kaleidophonic disturbances.
“What if Your Instrument is Invisible?”
is my chapter in the new book “Musical Instruments in the 21st Century: Identities, Configurations, Practices” (December 2016, Springer: Singapore).
Abstract: As an electronic musician I am … Continue reading
Audio Chandelier as a performance concept/system uses a point-source arrangement of the sounds of a single audio file into 10-16 speakers arranged in asymmetrically in a large space (preferably 20’x20” or larger. Using a computer and granular synthesis, I send one “grain” (very small slice of sound from my audio … Continue reading
Clip Mouth Unit (Jen Baker (trombone/voice) and Dafna Naphtali (voice/live-sound-processing/electronics) has created a unique set of open form compositions for their multi-faceted performance concept — merging electro-acoustics, multi-phonics, and extended techniques, integrated directly with scalar and rhythmic concepts.
Dafna Naphtali / Jen Baker at NYC Electroacoustic Improv Summit 2016
“Index of Refraction” is the debut album of the duo of Luis Tabuenca (percussion/ drums), Dafna Naphtali (voice/ electronics), recorded at Harvestworks in NY. An Index of Refraction of a material is a dimensionless … Continue reading