Nichola Scrutton: Memory | Dream | Encounter Micro-Commissions

Summer of 2021, Nichola Scrutton (sound artist and singer from Scotland) created a project of micro-commissions to composers/sound artists Ruth WiesenfeldElisabetta SenesiDafna NaphtaliJulia Drouhin and Claire Docherty – each invited to create miniature sound compositions using fragments from those drawings as a visual prompt. The umbrella title is Memory | Dream | Encounter.

On 31st August 2021 the six composers met in a virtual gathering to listen together, discuss the works and creative process.

Claire Docherty – Pulse dream fragment For Una MacGlone (bass) & Emma Roche (flute) (3’23)
Dafna Naphtali- Striations (3′)
Elisabetta Senesi – Under the Surface (3’50)
Julia Drouhin – Mer4 (3’50)
Nichola Scrutton – Gestures (3’44)
Ruth Wiesenfeld – the wool from which the ribbons were made (3’54)

The images were a prompt, a connecting point, a spring board for dialogue. The sound compositions stand as individual works and as a collection, which hopefully will be shared publicly in the future.

more information:

New Instruments For Improvisation and Experimental Approaches 6/28/2010

Symposium on June 28, 2010 at HERE ARTS CENTER, New York: New instruments for Improvisation and Experimental Approaches with Laetitia Sonami, Dafna Naphtali, Matthew Ostrowski and Hans Tammen

New Instruments For Improvisation And Experimental Approaches, an investigation into contemporary sound art and experimental music using custom made electronic instruments, will consider the methods and intentions of 4 artists building new instruments and specialized interfaces. In a day-long series of presentations, talks and performances these artists will discuss how their practice as improvisers, sound artists and experimental musicians lead to inventing their own tools, and how these inventions in turn influenced their musical performance techniques.

New Instruments for Improvisation and Experimental Approaches at HERE ARTS CENTER

Flickr photostream of event:



Lenore Malen: Be Not Afraid audio score (2-channel video, 2007)

“Be Not Afraid” is a two-channel looped video originally projected on suspended glass screens. A re-enactment of the first hypnotic session ever pictured (from an l9th century engraving) it also incorporates archival footage from the Worlds’ Fairs and NASA Footage.

Be Not Afraid, 2007

In 1784 the Marquis de Puysegur, a follower of Franz Anton Mesmer magnetized – or hypnotized – a shepherd, Victor Race on the Village Green

In the video members of The New Society for Universal Harmony are hypnotized under a tree behind which the viewer can see the remnants of Philip Johnson’s NY State Pavilion, itself a tribute to the U.S. Space Program. The video explores two aspects of modernity, the remnants of the utopian dream and the origins of psychoanalysis.

The video was shot in June 2006 by Ezra Bookstein and Ilana Rein, directed by Kathryn Alexander, edited by Lenore Malen and Ruppert Bohle with a score by Dafna Naphtali. It was produced by Lenore Malen & The New Society for Universal harmony.

(requires password)

more about Lenore Malen and Be Not Afraid and more

Wheezer — 2005

Wheezer is an audio work for surround sound (5.1), released on Harvestworks Workspace projects 2005 DVD, and was a part of the traveling exhibit of sound pieces under the same name, with “performances” in Germany, Bulgaria and the U.S. in 2005/2006.

Wheezer was originally conceived and created as a piece for live performance with 16 individual speakers and a keyboard interface which allowed me to “play” the speakers as if they were instruments, commissioned and performed live at Engine 27 (a multi-channel sound gallery) in New York City in 2001.    The source sounds were all taken from audio processing I did on my intentionally ambiguous/microtonal vocalises.    I wanted the audio to move in the space in undulating motions not unlike (sometimes) labored breathing motions, as during the nighttime asthma-like attacks I had as a child.  The piece reflects some of the panic and claustrophobia I experienced during these episodes of not being able to breathe, and now looking back, perhaps also the backdrop of working (at Engine 27) in the climate of Lower Manhattan after 9-11.     This 5.1 Surround Sound mix of the piece was created specially for a 5.1 surround sound DVD created by Harvestworks in NY, has run as a sound installation in several places in the US and in Europe.


Dafna Naphtali, electronics, live processing, voice
Alex Waterman, cello;
Darius Jones, alto sax;

dot.Product: sonic proliferation / duels / cooperation

Documentation from this trio’s 2009 performance at Issue Project Room here.

This trio (dot.Product) with Alex Waterman (cello), and Darius Jones (alto saxophone) — and me, Dafna Naphtali (adaptive electronics / sound processing / vocalisms / audio machinations..) has performed only a few times. The enclosed recording was our second time taking the juggernaut out. I really love playing and doing my personal take on live sound processing on the sound of these two amazingly perceptive musicians – it’s an unnervingly powerful expedition. My sound processing is a distinct voice in the improvisation, and I treat the processing as an ersatz instrument that I “play”.


Dafna Naphtali is a sound-artist/ improviser/composer from an eclectic musical background. As singer/guitarist/electronic-musician she performs and composes using her Max/MSP programming for sound processing of voice and other instruments.

Dafna has collaborated / performed with many experimental musicians and video artists over the past 15 years, such as Ras Moshe, Alex Waterman , Lukas Ligeti, David First, Joshua Fried, Darius Jones, Kathleen Supové and Hans Tammen as well as video artists Benton-C Bainbridge and Angie Eng and choreographer Daria Fain. She’s co-lead the digital chamber punk ensemble, What is it Like to be a Bat? with Kitty Brazelton ( HYPERLINK “” , and is a founder of Magic Names vocal ensemble. She’s received commissions and awards from NY Foundation for the Arts, NY State Council on the Arts, Meet the Composer, Experimental TV Center, Brecht Forum, and residencies at STEIM (Holland), Music OMI and iEAR at Rensselaer Polytechnical Institute. She’s twice received commissions from American Composers Forum (1999 for pianist Kathleen Supové, and in 2010 for Magic Names vocal ensemble), and she is 2011 recipient of Franklin Furnace Fund award to develop her piece for Eric Singer’s LEMUR music robots. She’s performed and traveled widely and under usual circumstances for her music (to festivals and venues around the world), including India in February 2010 to work with Hindustani singer, Vidya Shah (and funding from American Music Center). Dafna teaches and gives workshops at universities in the US and Europe, and has a Masters in Music Technology from New York University, where she is part-time faculty teaching interactive programming and Electronic Music Performance . She teaches programs and consults about computer music since’95 at Harvestworks (New York) and as a freelancer, and has done sound design and/or programming work for the projects of many artists at the forefront of digital and interactive music.

Alex Waterman is a founding member of the Plus Minus Ensemble, based in Brussels and London, specializing in avant-garde and experimental music. In New York he performs with the Either/Or Ensemble. Alex has worked with musicians such as Robert Ashley, Richard Barrett, Helmut Lachenmann, Keith Rowe, Marina Rosenfeld, Anthony Coleman, Elliot Sharp, Ned Rothenberg, Gerry Hemingway, David Watson, Chris Mann, Alison Knowles, Thomas Meadowcroft, and Michael Finnissy. He has performed as guest musician with numerous ensembles, including Trio Event (Berlin), Champs d’Action-Antwerp, Q-O2-Brussels, and Magpie Music and Dance Company. Waterman has made music for numerous European ballet and modern dance companies including Freiburg Ballett/Pretty Ugly, Scapino Ballet, Nederland Dans Theater III, and others. As a curator he has organized events at Les Bains:Connective in Brussels, OT301 in Amsterdam, Miguel Abreu Gallery and The Kitchen. His duo projects with the dancer Michael Schumacher have toured in Switzerland, Italy, Holland, the Opera of Monaco and most recently in all 5 boroughs of New York in a Joyce Theater production in association with the City Parks Foundation in July of 2008.
In 2007 Alex curated two exhibitions in New York, one on experimental music and poetics: Agapê (June 2-July 28th, 2007) at Miguel Abreu Gallery; and the other on graphic notation, Between Thought and Sound: Graphic Notation in Contemporary Music (September 7-October 20, 2007) at The Kitchen in Chelsea. Alex is presently working on his PhD in musicology at NYU as well as writing a book about the composer Robert Ashley with the designer and writer Will Holder. Alex participated in Dexter Sinister’s residency at the Armory for the 2008 Whitney Biennial writing a new work based upon Herman Melville’s Bartleby the Scrivener. Alex Waterman and Beatrice Gibson’s film, A Necessary Music, narrated by Robert Ashley and with original music by Waterman, premiered at the Whitney Museum ISP show and won the Tiger Prize for Best Short Film at the Rotterdam Film Festival in 2008. Alex lectured and performed as part of the exhibition The Possibility of Action at the Museum of Contemporary Art in Barcelona in 2008, and was in residence at the ICA in May 2009 with his ensemble, in addition to performing solo works. He installed a permanent 12 speaker sound installation out in Napa Valley in July of 2009 at the residence of Norah and Norman Stone, and is presently working on a new film project in Vieques, and starting up his record label (D.S. al coda). He also plays the music of Arthur Russell with Arthur’s Landing whenever he can. His writings have been published by Dot Dot Dot, Paregon, FoArm, and Artforum.

Darius Jones, is an alto saxophonist, composer, and producer.

He joined the New York music community in 2005, after living and studying in Richmond, Va. Darius comes from a diverse musical background that has lead to his unique, alternative, and soulful approach to music. Jones has composed and performed in a wide variety of areas such as electro-acoustic music, chamber ensembles, contemporary jazz groups, avant-garde jazz groups, modern dance performances, and multi-media events. Darius enjoys playing with a steady group of artists and improvisers. The current bands Jones works with are the Cooper-Moore Trio, Mike Pride’s From Bacteria to Boys, Nioka Workman’s House Arrest Band, William Hooker’s Bliss Quartet, Trevor Dunn’s Proof Readers, The Hub, Lewis Barnes’ Hampton Roads, and Period.
Darius has collaborated with Andrew D’angelo, Esther Lamneck, William Parker, Flip Barnes, Jim Black, Charlie Looker, Dafna Naphtali, Sam Hilmer, Weasal Walters, Peter Evans, Nate Wooley, S.E.M Ensemble, Lisle Ellis, Rob Brown, Warren Smith, Alex Waterman, etc.

In New York, Darius has produced records for Korean jazz vocalist Sunny Kim and country-folk artist Mary Bragg. Jones has performed in Italy, France, U.S. and Canada.
Jones has a band with Travis LaPlante, Ben Greenberg, and Jason Nazary called Little Women, which recently went on a national tour to promote the release of their first record Teeth on Sockets and Gilgongo Records. Jones is the recent winner of the Van Lier Fellowship awarded by Roulette.

More information:

Dafna Naphtali – HYPERLINK “”

Alex Waterman – HYPERLINK “”

Darius Jones –